A Few Pieces for “Live” Sales

Online jewelry sales are a bit slow these days, so I’m trying something new: placing bracelets for sale in a bricks-and-mortar shop. And that meant building up a bit of inventory.

Normally, I keep one of nearly everything. By doing so, I can shorten my processing time because I only need to resize the jewelry for the buyer, rather than making something completely new. To place pieces in a shop, however, I needed to create a handful of pieces, in several sizes each.

Over the last week, I made seven completely new bracelets:

Selection of Jewelry for Shop Sales

Close-up images and details are below. From left to right, the individual pieces are as follows.

  • 1 x Turkish Round at 7.5″
  • 2 x Viperbasket at 7.0″ and 7.5″
  • 2 x Byzantine with Gold Lovers’ Knots at 7.0″ and 7.5″
  • 2 x JPL with Gold Accent at 7.0″ and 7.5″

Each piece takes around 3.5 to 5 hours to make, from making the rings to dropping the pieces into my tumbler for polishing. You can imagine how long it took to make the whole set!

I dropped off the pieces yesterday to Arts and Crafts, a consignment store at the local shopping mall that features a wide variety of handcrafted products. I signed the sales agreement, and had a good discussion with the owner about the jewelry styles, manufacturing process, and jewelry care and services.

When I browsed through the store previously, I noticed that most of the other items were at the lower end of pricing, somewhere in the $5 to $50 range, without any higher-priced jewelry selections. If (and that’s a big “if”) the pieces sell, the store will take 30% of the revenue.

I selected these pieces because they are at the lower price points, represent a variety of simple and sweet designs, and seemed like good test cases for selling at the store. If they sell, I may add a few of the more complex, higher-priced pieces. Maybe they will sell, maybe they won’t, but it seems worth trying for very little risk.

I’ll check in with the store in a few week and see if any pieces have sold. If so, I’ll replace them and (probably) add a new piece, as well.

Fingers Crossed!

Close Up and Details

Turkish Round
Sterling silver
7.5 inches
End rings welded

Sterling silver
7.0 inches and 7.5 inches
Larger rings and end rings welded

Byzantine with Gold-fill Lovers’ Knots
Sterling silver and 14K gold fill
7.0 inches and 7.5 inches
End rings welded

JPL Chain with Gold Fill Byzantine Knot
Sterling silver and 14K gold fill
7.0 inches and 7.5 inches
End rings and rings around the center knot welded

Chainmaille Process Videos

Making chainmaille jewelry is a long process. In these three short videos, I’m highlighting the steps.

1. Coiling the sterling silver wire (I usually make 3 – 5 coils at a time, depending on the design)

2. Cutting the coils to make rings

3. Weaving the rings into the chain and welding them shut. (I’ll show just one ring here – visualize this occurring 100+ times.)

FYI: The videos are 15 seconds long and have no sound.

Now, I have left out a few steps, such as washing the lubricant (dish soap) off the cut rings, opening the rings, filing the cut edges (this is the boring part!), getting perfect closures, and cleaning and polishing the final jewelry. Even so, these videos show how I go from the sterling silver wire to weaving a single ring into a piece of chain.

Once I have made the rings, the total time per ring is about 1 minute from opening to welding.

Video one: Coiling the wire

I’m using the Pepe Jump Ring Maker to make wire coils. This is the older version that came with a mounting board. Notice that I use a hand clamp to keep it still while I wind the coil.

Video two: Cutting the coil

I’m also using the Pepe Jump Ring Maker here, as you can see. I put the unit inside a plastic tub to reduce the metal dust flying around. I’ve cut more than 25,000 rings with the Pepe. (See this post for tips on using the Pepe Jump Ring Maker.)

Video three: Weaving and welding a single ring

I use an Orion mPulse 30 for spot welding, which I bought a few months ago. I love, love, love it. If you watch very closely, you’ll see a quick flash – that’s the ring being welded closed.

Turquoise and Elfweave Showcase Bracelet

My latest design, and I am super excited about it. I made a broad bracelet using Elfweave (stabilized), and then had a local Navajo jeweler build the centerpiece based on my design and with my Hubei Turquoise stone. The result is pretty amazing!

(See it in the Desert Chains Shop)

What are we looking at?


The design is Elfweave sheet, which means a continuous band of Elfweave. The chain is about 1″ wide. It does not have a clasp, so the chain is unbroken. It is made in 100% sterling silver. It’s a heavy chain, at 1.75 ounces. As you can see here, the chain has no breaks for the clasp.


So, how does the bracelet clasp?

The box centerpiece IS the clap. The “tongue” slips into one side of the box and locks into place. It features minimal design to counterbalance the complexity of the chain and focus attention on that beautiful stone.

I have a friend who is a really great silversmith. After I bought that stone, I explained my design for the centerpiece clasp. He built the clasp and set the stone. I’m very pleased with how it came out.

The Centerpiece Stone

That cabochon on the centerpiece is Hubei Turquoise. I love the green and teal shades, with the golden brown matrix.

Hubei turquoise comes from the Hubei province of China. Most turquoise these days comes from China, and the very best comes from the Hubei province. There are only 2 primary mines in the region, and one of them closed recently! That stone will go up and up in value, I am sure.

By itself, the stone cost me nearly $200. (Actually, the first stone I picked out was nearly $300, but, well, I couldn’t justify the cost at the time. On the other hand, this stone is extraordinary. At 58 carets, it is slightly heavy.


  • Weight: 3.5 ounces (quite heavy)
  • Length: 7.5 inches
    (However, the box clasp is long and doesn’t bend around the wrist–this bracelet will not fit a 7.5-inch wrist. It fits fine on a 7.25-inch wrist.)
  • Width: 1.25 inches


I welded all the rings near the clasp. The chain, itself, is strong, and I don’t expect that any rings will ever fall out unless someone really tries or catches it on something and yanks it hard. The rings at the chain ends are also strong, but welding makes sure, just in case.

On the other hand, it someone needs this re-sized, I will need to cut off all those rings on both sides of the chain.

The stone is the most likely component to take damage. It this bracelet gets dropped on the stone face, I suppose it could crack, just like any other turquoise cabochon. It cannot be repaired, only replaced, so let’s hope that never happens!

Plans for This Bracelet

Of course, I would love to sell this piece. It’s currently listed at $820. Resizing will be charged because of the materials and a lot of time.

However, if I don’t sell it in the next few months, this will be my 2021 State Fair entry (assuming we have one this year!).

Overall, this was a very enjoyable and satisfying project. I will likely make another one. Already, my wife wants one, but with a smaller stone. I plan to make several more, with a variety of stone sizes. I might make one with a square or rectangular stone, which would be great.

But this one is pretty amazing!

Tips for Using the Pepe Jump Ring Maker

(Update: The #1 problem people have when using the Pepe is blade binding, in which the blade slows down a lot and even stops completely. All the tips below will help you use the Pepe more easily and produce better rings, but if your main problem is blade binding, skip directly to Tip #4.)

(Update: This is an older post from my original web site – see it here. Pepe has a newer version of the Jump Ring Maker. It’s basically the same, but without the mounting board and a new, better winding crank. All the advice here applies to the new version, as well.)

I love my Pepe Jump Ring maker and couldn’t live without it. Here’s my Pepe set up:


The Pepe and Flexishaft Combo costs around $200 (update: more now), and it is worth the price. After buying crappy rings from hobby stores and after using the little wire coiling-thingy from a well-known bead and jewelry supplier, I decided to get serious. Sure, it was a little pricey for me, but I knew it would pay for itself in time and per-ring costs over time.

I have made more than 20,000 rings since purchasing the Jump Ring Maker, and I still love it. Really, really love it. Worth every penny! Continue reading “Tips for Using the Pepe Jump Ring Maker”

Super-fine Chain Bracelet

(Originally posted on my old web site in 2014)

For several months now (in 2014!), I have been wanting to make a micromaille JPL chainmaille bracelet. Micromaille is chainmaille that is typically at or below 3.0 mm inner diameter. It’s little. Very little.

The problem, however, is that I didn’t have any way to coil wire into rings that size. The smallest coiling mandrel on the Pepe Ring Maker is 2.5 mm. I have made some nice JPL pieces in 2.5, but I couldn’t go any smaller.

Problem solved! I am using a 2.0mm knitting needle in my Pepe wire coiler, and a spool of 22 gauge (AWG) wire. I just stick the needle in the crank, load some 22 gauge wire, and start winding coils. I didn’t know if I would be able to cut the coils into rings, but they cut just fine, thus leaving me with a nice pile of micromaille jump rings for a very thin chain. Continue reading “Super-fine Chain Bracelet”

Welding Chainmaille and Heirloom Pricing

I am so excited because I can now weld the rings I use to make jewelry. Welding will solve two problems at the same time

Problem One: Open Rings

Chainmaille jewelry can be very beautiful, but it has a problem. Rings can open when they are stressed, which means they may fall out and the jewelry will need repair. For most designs, this is not a problem except for the rings that hold the clasps. Those are the rings that get the most stress, caused from opening and closing the jewelry.

For example, I have worn my Full Persian bracelet nearly every day for years, and not once has any ring come loose…except at the clasp. I have had to re-close those rings twice. Not too bad considering the thousands of times I have worn the bracelet. Fortunately, it is a very simple fix. A couple of minutes with my needle-nose pliers, and the rings are once again fully closed. Of course, I am a jeweler so it’s not a problem. I made the jewelry and have the tools and expertise to repair it, but what about the person who buys jewelry from me?

For a few of the designs, such as the Viperscale bracelet, ring stress is a bigger problem. The rings are far larger and are, as a result, more susceptible to opening.

Fortunately, designs that feature small, tightly-fitted rings don’t open except under severe stress, such as when the jewelry is caught on something and yanked. For example, with the JPL weave or the Rondo a la Byzantine weaves, the rings are simply not going to open unless yanked hard. Continue reading “Welding Chainmaille and Heirloom Pricing”

2020 Chainmaille Jewelry Gallery

It’s almost impossible to believe. Five years have passed since I last made a video gallery of jewelry on Desert Chains. At the time, this site was “Chain of Beauty.” (Chain of Beauty still exists, by the way, but the website redirects you to here.)

We had a long weekend last weekend, and I took advantage of the time to create the 2020 video gallery. Lots of new pieces and designs.

So, with no further ado, here’s the 2020 Desert Chains jewelry gallery.

Music: “Between Us and Them” by Ulrich Schnauss. Listen to the entire piece on YouTube here.


Another Blue Ribbon

Well, I did it again. The judging for the 2018 state fair jewelry competition just finished, and I picked up another blue ribbon. That’s 4 years in a row now. I’ll post a picture of the bracelet with its ribbon once the fair opens and I can take the picture.

The Competition Entry Piece

This year, I entered an original design that combines 2 classic weaves, plus a little bead work. Here’s the piece:

Continue reading “Another Blue Ribbon”

Process for Photoshop Editing Jewelry Models

Now that I have finished taking pictures of my most recent model, it’s time for the hard work: editing with Photoshop. (I highly recommend Photoshop! You can get a subscription to the Adobe Photography plan if you don’t have Photoshop already. It costs about $10 per month, and it is worth it.) Once the images are done, I will create a new model’s gallery and add the images. 

In the 6 step-by-step videos below, I demonstrate all the steps I go through for Photoshop editing of jewelry models. Each video demonstrates a set of tasks, and I explain how I do them. If you are creating images for your website, these are some typical editing tasks you will likely need to know.

The list of videos and Photoshop editing tasks

Video 1: Replacing the ugly background with a white background (10:36)
Video 2: Removing facial acne and smoothing the skin (17:16)
Video 3: General clean up, removing a tattoo and skin blemishes (11:20)
Video 4: Re-coloring the purple halo around the silver bracelet (4:19)
Video 5: Painting fingernails and replacing the light sheen on top (22:38)
Video 6: Resizing, cropping, adding a watermark, and exporting (10:32)

Here are the Before and After images. The videos show I get from before to after.

Continue reading “Process for Photoshop Editing Jewelry Models”

Dragonscale for the 2017 State Jewelry Competition

I have my bracelet ready for the 2017 State jewelry competition, which will be held during the state fair. So far, I’m 2 for 2 with blue ribbons.

This year, I’m submitting a fantastic bracelet featuring the dragonscale/ mermaid weave. This advanced design has larger rings on the outside that face one direction and smaller rings on the INSIDE that face in the opposite direction, creating the appearance of fish (or dragon) scales.

  • For the outside rings, I used sterling silver (18 gauge, 6 mm inner diameter) rings. 
  • For the inside rings, I used 14k gold fill (20 gauge, 4 mm inner diameter) rings.

The final result is absolutely stunning! I’m really pleased with how the gold inside rings complement the brighter silver rings and give the entire piece a deeper, richer appearance.

I will submit the bracelet on August 26th and find out the results a couple of weeks later.

Wish me luck! I feel really good about this bracelet, and it would be nice to pick up another ribbon.

(One thing I want to do before submitting is to get my models back so I can take a few pictures.)

On a side note, I have a little of the gold fill wire left over. I’m thinking about making another lovers’ knots bracelet to use it up. It might make a nice Christmas present for my niece.

Hardening Silver Wire

When we were kids, we would open paper clips, bend them back and forth, and see how long it took for the paper clip to break. We thought that by bending the wire repeatedly, we were making it soft enough to break. Actually, though, the opposite was true. When metal is repeatedly hit, twisted, or bent it becomes harder, which makes it brittle enough to break.

This is important to understand when working with silver wire. Pure silver has all of its atoms in a lattice structure, much like crystals. With all the atoms lined up in straight rows and columns, the silver is very flexible and soft. This is why, for example, fine silver (99.9% silver) is not a good material for chainmaille. The rings won’t hold their shape and will open, causing the chain to fall apart.

Continue reading “Hardening Silver Wire”

2015 NM State Fair Blue Ribbon Bracelet

Entry in the NM State Fair Jewelry / Chain Maille Competition

In 2014, my girlfriend at the time and I visited the Creative Arts pavilion at the NM State Fair and checked out the bead work and jewelry competition. She is an amazing artist with bead weaving, as good as or better than anything we saw at the competition. I encouraged her to enter in the following year (this year, now).

And then I saw the chainmaille competition pieces. The blue ribbon winner was a pretty and sweet bracelet in the helm maille weave. It’s a nice design, but it’s definitely a beginner’s chain maille weave. I thought I would like to enter the competition, too.

Continue reading “2015 NM State Fair Blue Ribbon Bracelet”

Using Tool Magic – Video

Before starting work on sterling silver chain mail, I always dip my pliers in Tool Magic. The plastic coating prevents the pliers from marring the silver. It also helps me keep a good grip on the rings so they don’t shoot out from the pliers. The Tool Magic coating gets raggedy after a while and needs to be reapplied-as seen in this video.

Tool Magic only costs a few bucks, and it’s worth it.

Remove Tarnish From Silver Naturally

I am often asked, How do you remove tarnish from silver jewelry? There’s two answers: You can do it the wrong way, or you can use my recipe for a safe and natural tarnish remover.

Tarnex? No Way! Anti-tarnish creams and polishes damage your silver by eating into them with toxic chemicals. Forget them. Forget, also, the scrubbing, wiping, and all other “elbow grease.”

The other problem with creams is that they either do not get into all the holes, edges, and corners, or, if they do, they are nearly impossible to clean out later.

Cleaning flatware or other food serving items? Those nasty creams have chemicals that are not good for you. If they are not completely cleaned out, you will end up eating them.

Finally, if you have multiple pieces, like a handful of jewelry items, you have to do them one at a time. That’s a waste of time.

Here’s what you can do instead.

Continue reading “Remove Tarnish From Silver Naturally”

Working with Jewelry Models

The problem: People can look at pictures of jewelry online but can’t try them on to see how they look and feel when worn.

The solution: Have pictures of the jewelry being worn.

There’s only one way to do that, and that is to take pictures of models wearing the jewelry. This means I needed

  • good camera,
  • tripod,
  • back drop curtain,
  • good lights,
  • basic (at least) skill with photo editing software, and
  • women to be the models.

I wanted several models, with several outfits each, to provide a variety of “looks” for wearing jewelry. My thinking is that women could look at sample images the various models, think “Oh, that style is most like me,” and then see all the jewelry on that model. I ended up with four different models, and I’ll probably shoot a couple more to complete this round of images. Once I have a handful of new jewelry designs, I plan to repeat the process.

Continue reading “Working with Jewelry Models”

First Heirloom Bracelet Soldered Chainmaille

Soldering Jump Rings in Chainmaille

update 10/26/2020: I no longer solder rings. Now, I weld them closed, which is stronger and cleaner. For more about welding, see my post Welding Chainmaille and Heirloom Pricing.

For the last few months, I have been working on soldering jump rings for my chainmaille jewelry. I am bringing out a line of “heirloom” jewelry in which all the rings are soldered. In most cases, chainmaille doesn’t require soldered rings: the rings won’t open unless they receive a lot of stress. For example, I have been wearing my Full Persian bracelet nearly every day for almost 2 years, and I have only had to fix one ring near the clasp.

However, with some of the designs that use larger rings in a not-so-dense pattern, the rings may begin to open over time, particularly if they get rough usage. The viperscale bracelet shown below has a big aspect ratio (AR 5.9), so the rings are not strong enough to hold up to long-term tugging or yanking. I had given one of these bracelets to a colleague, who wore it regularly. She is fairly hard on jewelry, and after 8 months, one of the rings opened and fell out. I first started thinking about soldering rings while repairing her bracelet.

Continue reading “First Heirloom Bracelet Soldered Chainmaille”

First Place 2016 Jewelry Competition

For the second year now, I entered the NM State Fair Jewelry Competition. And for the second year, I received first place.

Last Year’s Competition

Last year, I submitted a sterling silver Viperscale bracelet. It was the first time I had made that design, and the first time I had seen it in Sterling Silver. Quite honestly, I was a little surprised that I won first place, but I was very pleased, too! It’s a beautiful design.

Continue reading “First Place 2016 Jewelry Competition”